Full Circle

2017

Leather, hardboard, wood

50 × 25 cm (assembled circumference)

Full Circle is a sculptural footwear artefact conceived as a divided whole. Formed as two half‑circles worn by separate performers, the work abstracts the shoe into a fragmented structure that only resolves through proximity and alignment.

Created for The Opposite of Addiction performance, the object operates as the first stage in a choreographed triptych. The separated forms stage a condition of internal division, where balance and self‑connection are negotiated rather than assumed. Movement is shaped by incompleteness, requiring the performers to adapt their gait, timing, and spatial awareness in relation to one another.

Activated through performance but held as a self‑contained object, Full Circle frames wholeness as an active process. Completion is not presented as closure, but as an ongoing act of coordination, attentiveness, and embodied return